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Lesson 2 of 3Historical Thinking & Inquiry
Unit 1 · Lesson 2 of 3

Sources and Evidence: Primary, Secondary and Oral, Credibility and Citation

The difference between primary and secondary sources, why oral histories and oral traditional knowledge are valid evidence (as the Supreme Court recognized in Delgamuukw, 1997), how to judge a source's credibility (author, purpose, audience, date, corroboration, bias and perspective), how to spot manipulated and AI-generated images, and how to cite a book, a website, an archival photo and an oral history consistently.

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Key things to remember

  1. 1A primary source was created at the time or by a participant or witness; a secondary source interprets the past later. Which one a source is depends on your question.
  2. 2Oral histories and oral traditional knowledge are valid evidence: in Delgamuukw (December 11, 1997) the Supreme Court of Canada said they must be placed on an equal footing with written documents.
  3. 3Judge credibility by author, date and context, purpose, audience, bias and perspective, and corroboration with other independent sources.
  4. 4A biased source is still useful: it is evidence of what its creator believed or wanted others to believe.
  5. 5Trace images to an archive, use reverse image search, and look for signs of manipulation or AI generation before using them as evidence.
  6. 6Chicago-style notes and bibliography are common in history; MLA or APA is also acceptable if used consistently.

One of the most famous photographs of the Battle of Vimy Ridge shows men of Vancouver's 29th Battalion walking across no man's land, with fallen soldiers in the foreground and shells bursting behind them. It was made by William Ivor Castle, an official photographer for the Canadian War Records Office, which recorded the war and promoted Canada's war effort, and it was exhibited in London in July 1917. Historians later showed that it is a composite: Castle built it from at least three negatives, adding the fallen soldiers in the foreground to make the scene more dramatic. The soldiers were real, the battle was real, and the photograph is still valuable evidence, but of what the war effort wanted the public to see, not simply of what the attack looked like. Today, with AI tools that can invent a "historical photo" in seconds, asking who made a source, why, and how is more important than ever.

Primary and secondary sources

A primary source was created at the time being studied, or by someone who took part in or witnessed the events: a soldier's letter, a diary, a photograph, a newspaper from the time, a law, census data, a treaty, a political cartoon, an artifact, or an oral history told by someone who lived it or who carries a community's history. A secondary source interprets the past from a later vantage point, usually by putting many primary sources together: a history book written later, a documentary, an encyclopedia article or a museum website. Whether a source is primary or secondary depends on your question. A 1967 magazine article about the First World War is a secondary source about the war, but a primary source if you are asking how Canadians in the 1960s remembered the war.

Primary sourcesmade at the time, by people who took part or saw itLettere.g. a soldier writing home, 1917Diary or journalprivate thoughts, written day by dayPhotographtaken at the time and placeNewspaper of the timereports and opinions as events happenedOral historyan interview with someone who was thereOral traditional knowledgepassed down by First Nations, Métis andInuit knowledge keepersSecondary sourcesmade later, by interpreting the pastA history book writtenlaterexplains and interprets thepastDocumentarytells the story using primarysourcesArticlee.g. an encyclopedia ormagazine articleIt depends on the questionA history book from 1960 is asecondary source about 1917, but aprimary source about how peoplesaw the past in 1960.Ask of any sourceWho made it?their role and pointof viewWhen?at the time, oryears later?Why?to inform, persuade,remember?For whom?private, or for thepublic?
Fig 1Primary sources (letter, diary, photograph, newspaper, oral history and oral traditional knowledge) beside secondary sources (a history book written later, a documentary, an article), with the questions to ask of any source: who made it, when, why, and for whom.
SourcePrimary or secondary?What it can showWhat to watch for
A soldier's letter home from France, 1917PrimaryPersonal experience, feelings, daily life at the frontWartime censors read letters; soldiers often hid the worst from family
A Montreal French-language newspaper, 1917PrimaryOpinions and arguments circulating in Quebec at the timeEach paper had an editorial position and a target readership
The Military Service Act, 1917PrimaryExactly what the law requiredA law shows intentions, not how it was enforced or received
Census data from 1931PrimaryPopulation, jobs, origins and language patternsCategories reflect the assumptions of the people who designed the census
A survivor's testimony to the Truth and Reconciliation CommissionPrimaryLived experience of residential schools in the survivor's own wordsShared with consent and under protocols; treat with respect
A history book written later about the DepressionSecondaryAn expert's interpretation built from many sourcesCheck the author's evidence, date and argument
A documentary about the October CrisisSecondaryA visual, narrated interpretation, often with interviewsEditing choices shape the story; interviews inside it are primary
Examples of primary and secondary sources for Canadian history since 1914.

Oral histories and oral traditional knowledge

Many First Nations, Métis and Inuit communities have recorded their histories, laws and connections to the land for many generations through oral tradition: carefully kept accounts, songs, ceremonies and teachings passed on by Elders and Knowledge Keepers, often with rules about who may tell them and when. Canadian courts once gave such evidence little weight. In the Delgamuukw case, the Gitxsan and Wet'suwet'en peoples presented their oral histories, including the Gitxsan adaawk and the Wet'suwet'en kungax, to support their title to their territories in northern British Columbia. The trial judge dismissed much of this evidence in 1991, but on December 11, 1997, the Supreme Court of Canada ruled that the laws of evidence must be adapted so that oral histories are placed on an equal footing with the written documents courts usually rely on. Oral histories are also central to more recent Canadian history: the Truth and Reconciliation Commission heard from about 6,500 Survivors and other witnesses, and veterans' interviews preserve memories of both world wars.

  • Ask permission and follow protocol: some knowledge is shared only in certain settings or by certain people; a community or Knowledge Keeper decides what can be recorded and shared.
  • Name the source accurately: the person's name (if they agree), their role, their Nation or community, and the date.
  • Do not treat oral history as "less reliable" by default: judge it like any source, by who holds it, how it has been kept and passed on, and how it connects with other evidence.
  • Corroborate respectfully: oral histories, documents, archaeology and maps can support one another; where they differ, ask why rather than assuming the written record wins.

Assessing credibility

  1. Author: who made it? What was their position, expertise and connection to the events?
  2. Date and context: when was it made, and what was happening then? Was it made during the events or long after?
  3. Purpose: why was it made: to inform, persuade, entertain, record privately, or sell?
  4. Audience: who was it for? A private diary, a government report and a recruiting poster speak to different people.
  5. Bias and perspective: whose point of view does it show, and whose is missing? Is it one-sided on purpose?
  6. Corroboration: do other independent sources confirm it? One source alone is weak evidence for a big claim.
  7. Usefulness: even a biased source is useful evidence of what its creator believed or wanted others to believe.
ASource A: a 1917 Union Government election poster
  • Author: the campaign of Prime Minister Borden's pro-conscription Union Government.
  • Purpose: to win votes in the December 1917 election by urging support for conscription and for the soldiers overseas.
  • Audience: mainly English-speaking voters, including the soldiers' female relatives newly able to vote.
  • Techniques: emotional images and appeals to loyalty, duty and not abandoning the troops.
  • Useful as evidence of: the arguments the government and its supporters used, and the emotions they tried to stir.
BSource B: Le Devoir editorials, 1917
  • Author: Henri Bourassa, founder and editor of the Montreal newspaper Le Devoir and a leading French-Canadian nationalist.
  • Purpose: to persuade readers that conscription was unjust and that Canada had already given enough to a British imperial war.
  • Audience: French-speaking readers, especially in Quebec.
  • Techniques: reasoned argument and appeals to Canadian rather than British imperial interests; Bourassa had also campaigned against Ontario's Regulation 17.
  • Useful as evidence of: the main arguments of the anti-conscription movement, though one paper does not speak for all of Quebec.

Manipulated and AI-generated images

Images have been staged, retouched and combined since the early days of photography, as Castle's Vimy composite shows. Today's AI image generators make it easy to produce convincing fakes, including fake "archival" photos of historical events, and they spread quickly on social media. Before you use an image as evidence, trace it to its origin: a reliable archive such as Library and Archives Canada or a museum should give the creator, date and an item number. Try a reverse image search to see where it first appeared. Look for warning signs such as garbled text on signs and uniforms, extra or blurred fingers, objects that did not exist at the time, or lighting that does not match. Check whether the image was colourized or cropped, which changes how it looks without changing the event. Finally, corroborate: if a dramatic photo of a famous event appears nowhere in archives or reputable histories, treat it as suspect.

Citing your sources

Source typeChicago footnote (first time you cite it)Chicago bibliography entry
Book1. Tim Cook, Shock Troops: Canadians Fighting the Great War, 1917–1918 (Toronto: Viking Canada, 2008), [page number].Cook, Tim. Shock Troops: Canadians Fighting the Great War, 1917–1918. Toronto: Viking Canada, 2008.
Website article2. Gérald A. Beaudoin, "Delgamuukw Case," The Canadian Encyclopedia, last modified January 11, 2019, https://www.thecanadianencyclopedia.ca/en/article/delgamuukw-case.Beaudoin, Gérald A. "Delgamuukw Case." The Canadian Encyclopedia. Last modified January 11, 2019. https://www.thecanadianencyclopedia.ca/en/article/delgamuukw-case.
Archival photograph3. Canada, Department of National Defence, Canadian machine gunners in shell holes on Vimy Ridge, April 1917, photograph, [item number from the archive record], Library and Archives Canada, Ottawa.Canada. Department of National Defence. Canadian machine gunners in shell holes on Vimy Ridge. April 1917. Photograph. [Item number from the archive record]. Library and Archives Canada, Ottawa.
Oral history interview4. [Name, role, Nation or community], interview by [your name], [place], [date], shared with permission.Usually cited in the notes only; follow any wishes the speaker or community has expressed about how they are named.
Chicago-style notes and bibliography, common in history. Notes use first-name-first order and commas; the bibliography is alphabetical by last name and uses periods. Square brackets mark details you copy from the actual source. MLA or APA is also acceptable: choose one style and use it consistently.

Worked examples

Reveal one step at a time and try to beat it to the next line.

Example 1
You are researching how Canadians reacted to conscription in 1917. You find a Union Government election poster urging voters to stand by the soldiers, and Le Devoir editorials by Henri Bourassa against conscription. Analyse and compare the two sources.
Example 2
A post on social media shows a sharp, colour "photo" of Canadian soldiers cheering on top of Vimy Ridge in 1917, with no source given. Explain how you would decide whether to use it as evidence.
Example 3
Write a Chicago-style first footnote and bibliography entry for this book: author Tim Cook; title Shock Troops: Canadians Fighting the Great War, 1917–1918; published in Toronto by Viking Canada in 2008; you are citing page 45.

Where marks get lost

  • Thinking primary sources are automatically true. A recruiting poster, a government report or a soldier's censored letter is from the time but may be one-sided or incomplete.
  • Throwing out a source because it is biased. Bias tells you whose perspective you are seeing; the source is still evidence of that perspective.
  • Treating oral histories as less reliable than documents by default. Courts have recognized them as evidence, and written records have their own gaps and biases.
  • Using an image found online without tracing it to an archive. Composite, colourized, mislabelled and AI-generated images circulate widely.
  • Mixing citation styles, or giving a website address with no author, title or date. Pick one style and include the details a reader needs to find the source.

Flashcards 9

Primary source
Secondary source
Oral traditional knowledge
Delgamuukw (1997)
+ 5 more

Practice

1
Which of these is a primary source for studying the 1919 Winnipeg General Strike?
2
In what year did the Supreme Court of Canada decide the Delgamuukw case, recognizing oral histories as evidence?
3
Match each credibility question with the feature of a source it examines.
Who made it, and what did they know?
Why was it made?
Who was meant to see or read it?
Do other independent sources agree?
Whose point of view is shown, and whose is missing?
4
A recruiting poster from 1915 shows smiling soldiers and calls the war a great adventure. What is the best way to use it as evidence?
5
What word describes checking a source against other independent sources to confirm what it says?
6
Which statement about oral histories is most accurate?
7
Put these steps for checking a suspicious online "historical photo" in a sensible order.
  1. 1Decide whether to use it, and cite the archival original if you do
  2. 2Check the archive record's creator, date and place against other sources on the event
  3. 3Follow its earliest appearance back to an archive record, such as one at Library and Archives Canada
  4. 4Notice that it has no creator, date or archive listed
  5. 5Run a reverse image search to find where it first appeared
8
In a Chicago-style bibliography entry for a book, how is the author's name written?
9
Match each source with the question it would be primary evidence for.
A 1931 census table
A Le Devoir editorial from 1917
A survivor's statement to the Truth and Reconciliation Commission
A 1960s magazine article about the First World War

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